[Bitpush] There’s an interesting new development in the Web3 music sector.
Since October, the Fireverse project has been running an “AI co-creation” music initiative, and in just a few months, they’ve already produced several hit tracks. Their collaboration with Kay Tse, “City Lights Chasing Dreams,” as well as songs like “Go with the Wind,” “Burn,” and “Silent Dialogue,” have now accumulated over 100 million plays across all platforms. Their ability to monetize this kind of traffic is truly impressive.
But what’s even more noteworthy is what they’re launching at the end of December—a music copyright staking pool. This mechanism is completely different from those projects that only make empty promises with governance tokens; here, it’s real cash flow distribution.
According to official projections, platform music copyright revenue could reach $30 million by 2026. Half of that (about $15 million) will go directly into the staking pool for LP holders. In simple terms, if you stake your tokens, you’ll get a share of real income from copyright revenue.
The logic is actually pretty straightforward: users are not just listeners, but also sharers of copyright revenue. Plus, more top-tier artists are reportedly joining the co-creation process next year, so this revenue pool could grow even larger.
Compared to projects that rely purely on token speculation, this cash flow-backed model looks much more reliable.
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GateUser-5854de8b
· 21h ago
Oh wow, 100 million plays is impressive, but what I really want to know is whether this copyright pool can actually generate stable cash flow.
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AI co-created music hitting over 100 million plays—are these numbers inflated?
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$15 million split from the staking pool sounds pretty sweet, but I'm just worried it might be another empty promise...
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Even Kay Tse is getting involved—Fireverse really means business this time.
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$30 million revenue forecast... but 2026 is still so far away, let's see if they can even make it that long.
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How are those 100 million plays distributed? Is it real traffic or are the numbers pumped? Would like to know more.
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Copyright staking pools are a lot more reliable than traditional governance tokens, but who takes on the risk?
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Half goes into the staking pool for LPs—what about the other half? Does the platform keep it?
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If this cash flow model really works, the Web3 music sector might actually have potential.
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Wait, how do they even define copyright ownership for AI co-created songs... They didn't really clarify this part.
View OriginalReply0
BearMarketLightning
· 21h ago
100 million plays is indeed impressive, but what I care about is whether that $30 million in copyright revenue can actually be realized, not just empty promises.
The staking pool sounds good, but I'm worried it might end up being just hot air. Let's see if its authenticity can be verified in December.
This kind of cash flow model is definitely more reliable than pure governance tokens, it's kind of interesting.
I've never listened to that song by Kay Tse... How exactly does this AI co-creation thing work?
Wait, can you really get $15 million? Or is this just another marketing gimmick?
I like the logic behind copyright staking, but only if there's real copyright revenue to back it up.
Is this a bit like a tokenomics revolution for the music industry? Or is it just another trick from the whales?
I believe the 100 million plays, but the real test is whether the cash flow can arrive on time.
View OriginalReply0
0xSunnyDay
· 21h ago
100 million plays is indeed crazy, but I'm more concerned about whether the real returns from the staking pool can outperform inflation...
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Kay Tse is here too? Now even AI music has to compete on content quality.
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Wait, $15 million to be split among all LPs? How much does that come out to per person? Feels like it's going to get diluted again.
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Cash flow distribution sounds good, but I'm worried it might just be numbers on paper. We need to see how it performs in reality.
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From October to over 100 million plays, that's really fast, but there still aren't many reliable Web3 music projects.
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The staking pool mechanism looks legit, but who knows if it will just be another empty promise.
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What about user stickiness behind those 100 million plays? That's actually more telling than just the play count.
View OriginalReply0
gas_fee_trauma
· 21h ago
Oh no, 100 million views is really hard to handle, but this copyright collateral pool still sounds a bit risky... Can $30 million really be delivered in 2026?
Fireverse's Copyright Pledge Pool: The New Web3 Music Model Behind 100 Million Plays
[Bitpush] There’s an interesting new development in the Web3 music sector.
Since October, the Fireverse project has been running an “AI co-creation” music initiative, and in just a few months, they’ve already produced several hit tracks. Their collaboration with Kay Tse, “City Lights Chasing Dreams,” as well as songs like “Go with the Wind,” “Burn,” and “Silent Dialogue,” have now accumulated over 100 million plays across all platforms. Their ability to monetize this kind of traffic is truly impressive.
But what’s even more noteworthy is what they’re launching at the end of December—a music copyright staking pool. This mechanism is completely different from those projects that only make empty promises with governance tokens; here, it’s real cash flow distribution.
According to official projections, platform music copyright revenue could reach $30 million by 2026. Half of that (about $15 million) will go directly into the staking pool for LP holders. In simple terms, if you stake your tokens, you’ll get a share of real income from copyright revenue.
The logic is actually pretty straightforward: users are not just listeners, but also sharers of copyright revenue. Plus, more top-tier artists are reportedly joining the co-creation process next year, so this revenue pool could grow even larger.
Compared to projects that rely purely on token speculation, this cash flow-backed model looks much more reliable.